Paul Verhoeven has made a
name for himself as a director willing to go to the edge – and over it –
in the pursuit of his cinematic vision. The results often veer into
cartoon, and with the attachment of Arnold Schwarzenegger -- perhaps
today’s most cartoonlike mainstream actor – there was a likely danger that
Total Recall would be no more than a loud, oversized summer movie,
to be forgotten when the leaves begin to turn red.
But Philip K. Dick’s ideas on the
true nature of reality (in this case from his story “I Can Remember It For
You Wholesale”) have elevated the film to a near-classic in the genre;
although it does not reach the level of
Blade Runner, inspired by Dick’s “Do Androids
Dream of Electric Sheep,” it has far more depth than most other genre
films, lending several levels to its ruminations on what constitutes
reality. Artisan’s “Special Edition” DVD finally does justice to its
ideas, and its anamorphic presentation easily trumps both the previous
non-anamorphic 1998 DVD and 1991 laserdisc. The physical package is
the only negative.
Film Synopsis: Arnold Schwartzenegger is an Earthbound construction
worker who keeps having dreams about Mars. A trip to a false memory
transplant service for an imaginary trip to Mars goes terribly wrong and
another personality surfaces. When his old self returns, he finds groups
of his friends and several strangers seem to have orders to kill him. He
finds records his other self left him that tell him to get to Mars to join
up with the underground. The reality of the situation is constantly in
question. Who is he? Which personality is correct? Which version of
reality is true?
Technical
| Video: |
Widescreen 1.85:1 (Anamorphic) |
| Audio: |
ENGLISH: Dolby Digital 5.1 [CC] ENGLISH: Stereo |
| Subtitles: |
English, Spanish, French |
This is the presentation
that the film has been due since its 1991 release on laserdisc.
Red has always been the most
problematic color for delivery mechanisms such as DVD, and reds – the
dominant color of the film – here are solid, with no speckle or
unsteadiness. The picture is
letterboxed at 1.85:1, appearing on a 16x9 widescreen monitor with no
black bars. Compared to the
previous widescreen releases, the image shifts slightly to the right side,
but all compositions appear correct.
The Dolby Digital 5.1 sound is near-demonstration quality, with a
powerful subwoofer kick and a lot of 3D presence in the rear
channels.
It is to the credit of the film – one of the last
pre-CGI effects movies -- that weaknesses that would doom a lesser movie
here aren’t noticeable, or at least do not jar the viewer out of the
film. There are illogical contrivances, scientific absurdities, and
holes large enough to drive a mole vehicle through. It was not
before we watched the film with the commentary – an act that greatly
distances a film by separating the visual from audio cues – that we saw
several outrageous cases (later satirized in Austin Powers) of the villain
holding a gun on the hero for long minutes as he (the villain) explains
what he’s planning to do once the hero is out of the way. In normal
viewing, the film’s momentum hides these expository scenes from notice.
The
DVD begins with a 30-second promo clip for Artisan Entertainment (sadly,
this looks like a trend), which can be skipped if you’re fast on the
Chapter Skip button. Menus are 3-D animated along the lines of The Abyss and Independence
Day (see image list), and are logically laid out. The only negative is that the
animation tends to run long; the opening menu, for instance, takes a full
twenty-three seconds to play before options are unlocked, about ten
seconds after our patience wore out – particularly after the opening
promo.
Easter eggs have not been found, but are almost
certainly present. Contact us if you have any updates.
The biggest drawback is the inelegant
special-edition packaging, which consists of a 5”-diameter-by-1/2’-thick
round tin case, printed and embossed to look like Mars, which sits atop a
flimsy cardboard box. While it is possible that the entire setup can
be placed on a shelf with other DVDs, it is unnecessarily wider than a
standard single-disc DVD case (the tin is padded inside with red
foam). This strikes us as an idea that might have seemed “cool” on
paper, but in execution is simply unwieldy. The tin also contains
the round DVD insert.
With the exception of the packaging, this is a
must-get release for fans of the film.
Supplements
- Audio Commentary by actor Arnold Schwarzenegger and director Paul Verhoeven
- Made-for-DVD Documentary "Imagining Total Recall"
- "Mars: Fact or Fiction" featurette
- Rekall's VirtualVacations
- Visual special effects comparison chart
- ProductionInfo
- ProductionStills
- Concept art
- Cast/Crew Biographies
- Original Theatrical Trailer
The audio commentary continues in the tradition of Starship Troopers,
with Verhoeven mixing useful information with near-comical hyperactivity
and an often-impenetrable accent which makes some key ideas
unintelligible. Those who
have heard his Starship Troopers
commentary will always remember his pronunciation of the word “bug;” this
time around, the word to listen for is “guerilla” (although “bug” makes a
welcome appearance). He is joined on the documentary with
Schwarzenegger, who offers many useful insights into the
long-in-development film; in general, it’s an enjoyable and instructive
addition to the package,
and they even manage to sneak in a plug for the Collateral Damage,
Schwarzenegger’s upcoming film. The low point of the package is
arguably “Rekall's Virtual Vacations,” which appears to be no more
than three video loops (each one separately selectable, although to end
them requires pressing “Menu” on your remote). The scenes (of a
Hawaiian beach -- Maui, I believe, a desert scene red-filtered to
represent Mars, and a Colorado mountain scene sped-up to appear unworldly)
seem to have no point, other than they appear briefly in the background
monitors of a scene in the film; it is almost certain that many viewers
will be examining them closely to see if they contain gateways to easter
eggs. The "Mars: Fact or Fiction" appears to have been created in
the early 1980s, and features some computer-generated fly-bys of a
simulated Mars surface. Other features, such as trailers, cast
credits, and concept art, are standard.